The story continued...
the story continued.
More stitching, a smattering of heritage and wildflowers...
Apologies for making you wait for the next instalment in the stitch piece I featured in the last post. As I mentioned, it was a holiday week here and as expected there was much coming and going.
Happily for me, the going included trips to Claydon House (on a very wet afternoon) and the Rollright Stones, Chastleton House and Hidcote Manor Gardens (on a very hot day). More of that later, but first to the stitching...
A Stitchery Update
When I left you, I had started to add stitch details to the canvas. I never start off with a plan of how I'm going to do this bit, but somewhere in the back of my mind I feel that the over-stitching should blend the edges of the fabric sections so that you're not really looking at each section, more feeling it as part of a whole.
In practice, this just means adding rows and rows and rows of running stitch. As I've said before, I don't have a wide repertoire of stitches, I find that the simple ones work best for me and a running stitch is like a brush stroke adding a colour (I think of stitching much more in terms of painting with threads than as embroidery).
I'd added a small section of needlepoint and was feeling the desire to do more. But once I tried, I realised it just wasn't sitting well with some of the other stitched areas. I may well start another needlepoint project because much though I love this more relaxed medium of expression through stitch and textiles, there's nothing quite like needlepoint for a total absorption into the flow of process. But it wasn't right for this piece.
So more running stitch, more couching and generally using stitch to integrate all the sections. I really struggle to take good pictures of the finished piece (often that's because I call time late in the evenings and then rush on to the next project and forget about photos). This is no exception. The real thing is much more vibrant. And of course the metallic threads manage to hide whenever I'm trying to capture them - arrrgh!
But you get the general idea.
This is a slightly better picture to show the stitch details.
And that's that - I mounted it onto a canvas which the framing elf then framed for me - I like the floating/tray frame system for my work. And it's now on the wall at The Workhouse Gallery in Dunstable, where I'm hoping someone will fall in love with it and want to take it home. I called it Tranquility, which is very much how I was feeling during most of its formation.
Posting daily work updates on Instagram Stories and Twitter seemed very popular with people there, so I'm continuing to do that and I've just begun work on a new piece. So if you're on either of those platforms and want to watch what's happening (it's very slow progress, I warn you), please look for me there.
So, what about those trips out?
Well chaps, you know in an ideal world, what I'd really like to do is to write up each one. But experience has taught me that once I get lost into other projects I'm unlikely to get that organised. So instead, I've put together a small gallery of shots from those visits which I hope will give you a flavour.
And meanwhile, in the lane, everything continues verdant and lush...
It's turning into such a glorious summer here. After having terrible weather over winter and spring it's unbelievably lovely to be able to walk around feeling warm - even hot sometimes. I'm loving it!
I hope you're having a good time too, wherever you're reading this. Until the next time...